![](\"https:\/\/bihavadis.com\/wp-content\/uploads\/2026\/02\/aysa-sasanin-hikayesi-ayse-sasa-kimdir-hangi-senaryolari-yazdi-0-QsbIhkpJ.jpg\"\/)
<\/p>\nTabii\u2019nin iddial\u0131 yap\u0131mlar\u0131ndan biri olan \u201cAy\u015fe: Bir Ruh Maceras\u0131\u201d, izleyicilerin g\u00fcndeminde yer al\u0131yor.<\/p>\n
Deniz Baysal’\u0131n ba\u015frolde canland\u0131rd\u0131\u011f\u0131 \u00fcnl\u00fc senarist ve yazar Ay\u015fe \u015easa kimdir sorusu trendlerde yer al\u0131yor.<\/p>\n
Diziyi bir solukta bitirenler, Ay\u015fa \u015easa’n\u0131n hayat\u0131na dair detaylar\u0131 ara\u015ft\u0131r\u0131yor.<\/p>\n
T\u00fcrk sinemas\u0131n\u0131n ve k\u00fclt\u00fcr hayat\u0131n\u0131n merkezinde yer bulan senarist ve yazar Ay\u015fe \u015easa, 12 y\u0131l \u00f6nce aram\u0131zdan ayr\u0131ld\u0131.<\/p>\n
Ya\u015fam\u0131 boyunca hakikati bulmaya \u00e7al\u0131\u015fan, aray\u0131\u015f ve anlam bulma yolunda ilerlerken yaz\u0131n d\u00fcnyas\u0131na eserler veren ve T\u00fcrk sinema d\u00fcnyas\u0131nda senarist olarak tan\u0131nan \u015easa’n\u0131n biyografisi merak konusu oldu.<\/p>\n
Peki; Ay\u015fe \u015easa kimdir? \u0130\u015fte, hakk\u0131nda bilmeniz gerekenler…<\/p>\n
<\/p>\n
AY\u015eE \u015eA\u015eA K\u0130MD\u0130R<\/strong><\/p>\n Tam ad\u0131 Ay\u015fe Mihriban \u015easa olan usta senarist ve yazar, 1 \u015eubat 1941’de \u0130stanbul Amerikan Hastanesi’nde \u00c7erkez anne ile bir taraftan \u00c7erkez di\u011fer taraftan G\u00fcney Do\u011fu a\u015firetine mensup bir baban\u0131n \u00e7ocu\u011fu olarak d\u00fcnyaya geldi.<\/p>\n Yeti\u015fme \u00e7a\u011f\u0131ndayken dad\u0131lara teslim edilen \u015easa, bir a\u00e7\u0131klamas\u0131nda \u00e7ok yaln\u0131z ve bedbaht bir \u00e7ocukluk ya\u015fad\u0131\u011f\u0131n\u0131 s\u00f6ylemi\u015fti.<\/p>\n \u015easa, do\u011fumundan itibaren yakla\u015f\u0131k 12 y\u0131l s\u00fcren ve farkl\u0131 m\u00fcrebbiyelerin e\u011fitimi alt\u0131nda ge\u00e7irdi\u011fi yabanc\u0131 dad\u0131 y\u00f6netimini “\u00e7ocukluk \u00fclkemde h\u00fckm\u00fcn\u00fc s\u00fcrd\u00fcren bir rejim” olarak adland\u0131rm\u0131\u015ft\u0131.<\/p>\n \u00c7OCUKLUK D\u00d6NEM\u0130<\/strong><\/p>\n Hayat\u0131n\u0131 en \u00e7ok etkileyen insanlardan birisi olarak dedesini g\u00f6steren Ay\u015fe \u015easa’n\u0131n hayat\u0131nda dedesinin sava\u015f\u00e7\u0131 do\u011fas\u0131, k\u00fc\u00e7\u00fckken kendisine anlatt\u0131\u011f\u0131 sava\u015f hikayeleri, \u00fcslubu, dinginli\u011fi ve al\u00e7ak g\u00f6n\u00fcll\u00fcl\u00fc\u011f\u00fc izler b\u0131rakt\u0131.<\/p>\n \u015easa, Do\u011fu minyat\u00fcrlerine kar\u015f\u0131 olan ilgisini bu an\u0131lardan gelen \u00e7a\u011fr\u0131\u015f\u0131mlarla ili\u015fkilendirmi\u015f, minyat\u00fcrlerdeki evreni dedesinin ki\u015fili\u011fiyle, ser\u00fcvencili\u011fiyle ve do\u011fas\u0131yla \u00f6zde\u015fle\u015ftirmi\u015fti.<\/p>\n M\u00fcrebbiyelerin sert tutumlar\u0131 ve ailesinin ilgisizli\u011fi nedeniyle korkular i\u00e7inde bebeklik d\u00f6neminden \u00e7ocukluk \u00e7a\u011f\u0131na ge\u00e7en \u015easa’n\u0131n daha sonra ya\u015fayaca\u011f\u0131 \u015fizofren belirtilerinin temelini de korku fig\u00fcrleri, yaln\u0131zl\u0131k temas\u0131 ve aidiyet problemi olu\u015fturdu.<\/p>\n “Bat\u0131l\u0131la\u015fma modas\u0131n\u0131n trajik bir maraz olarak ortal\u0131\u011f\u0131 kemirdi\u011fi bir d\u00f6neme denk d\u00fc\u015f\u00fcyor benim \u00e7ocuklu\u011fum.”<\/b><\/em> diyen \u015easa, k\u00fc\u00e7\u00fck ya\u015flarda ayr\u0131ca ailesinin Bat\u0131 hayranl\u0131\u011f\u0131 sebebiyle bale, piyano ve yabanc\u0131 dil dersleri ald\u0131.<\/p>\n E\u011e\u0130T\u0130M HAYATI<\/strong><\/p>\n \u015easa, Ayd\u0131n \u0130lkokuluna bir ya\u015f erken ba\u015flad\u0131. Yaz\u0131lar\u0131nda okulda \u00e7ok ezik ve zavall\u0131 oldu\u011fundan bahseden \u015easa, arkada\u015flar\u0131 taraf\u0131ndan alay edildi\u011fini ve hocalar\u0131 taraf\u0131ndan da k\u00f6t\u00fc muamele g\u00f6rd\u00fc\u011f\u00fcn\u00fc belirtmi\u015fti.<\/p>\n Ba\u015far\u0131s\u0131z ge\u00e7en ilkokul y\u0131llar\u0131n\u0131n ard\u0131ndan ve dad\u0131lar d\u00f6neminin bitmesiyle yat\u0131l\u0131 olarak, \u015fimdiki ad\u0131 Robert Koleji olan Arnavutk\u00f6y Amerikan K\u0131z Kolejine giri\u015f s\u0131nav\u0131nda derece yaparak okulu kazanan \u015easa, buradan 1960’ta mezun oldu.<\/p>\n S\u0130NEMAYA \u0130LG\u0130S\u0130<\/b><\/p>\n \u00c7evresinin sahip oldu\u011fu \u00f6zellikleri s\u00fcrekli ele\u015ftirerek, bir aray\u0131\u015f i\u00e7erisinde oldu<\/p>\n Ya\u015fad\u0131\u011f\u0131 zaman diliminde T\u00fcrkiye’nin en zengin ailelerinden birine sahip olan Ay\u015fe \u015easa, toplumun yoksullukla can \u00e7eki\u015fti\u011fi bir ortamda servet i\u00e7inde ya\u015famas\u0131n\u0131 daima sorgulad\u0131. \u015easa, kendisinden beklenen zengin k\u0131z rol\u00fc yerine entelekt\u00fcel bilgi aray\u0131\u015f\u0131yla kainattaki varl\u0131\u011f\u0131n\u0131n sebebini, \u00e7evresinin sahip oldu\u011fu \u00f6zellikleri s\u00fcrekli ele\u015ftirerek, bir aray\u0131\u015f i\u00e7erisinde oldu.<\/p>\n Usta yazar, hen\u00fcz 12-13 ya\u015flar\u0131nda kendi \u00e7ap\u0131nda “\u00c7iftehavuzlar Postas\u0131” ad\u0131nda bir dergi \u00e7\u0131kard\u0131. Derginin i\u00e7eri\u011fine karikat\u00fcrler, gazetelerden kesilmi\u015f kup\u00fcrler ve resimler yerle\u015ftirirdi. Ayr\u0131ca dergide, arkada\u015flar\u0131 hakk\u0131nda yorumlar ve \u015faka i\u00e7erikli yaz\u0131lar kaleme ald\u0131.<\/p>\n \u00d6\u011frencilik y\u0131llar\u0131ndan itibaren sinemaya ilgi duymaya ba\u015flayan \u015easa, “Ya\u015fad\u0131\u011f\u0131m\u0131z Y\u0131llar” adl\u0131 ilk oyununu liseden mezun olaca\u011f\u0131 y\u0131l yazd\u0131. Oyun, Ard\u0131ndan tiyatro oyuncular\u0131 ve yazarlar taraf\u0131ndan \u00f6vg\u00fcyle bahsedildi. \u015easa, 1963-1965 y\u0131llar\u0131 aras\u0131nda Robert Kolej’in \u0130dari Bilimler B\u00f6l\u00fcm\u00fc’ne devam etti.<\/p>\n Ba\u015far\u0131l\u0131 senarist, hayat\u0131n\u0131n “d\u00f6n\u00fcm noktas\u0131” olarak tan\u0131mlad\u0131\u011f\u0131, okul arkada\u015flar\u0131n\u0131n vas\u0131tas\u0131yla yazar Kemal Tahir’le tan\u0131\u015f\u0131p g\u00fc\u00e7l\u00fc bir dostluk kurdu. Kemal Tahir, \u015easa’ya hayat\u0131nda d\u00f6n\u00fcm noktas\u0131 olacak, “Maskaral\u0131k yapt\u0131\u011f\u0131n s\u00fcrece seni alk\u0131\u015flarlar. Ciddi bir \u015fey yapt\u0131\u011f\u0131nda kimse surat\u0131na bakmaz, yolunu ona g\u00f6re se\u00e7.” s\u00f6z\u00fcn\u00fc s\u00f6ylemi\u015fti.<\/p>\n \u015easa, Tahir’le bulu\u015fma an\u0131n\u0131 \u015f\u00f6yle anlatm\u0131\u015ft\u0131:<\/p>\n “\u2026O g\u00fcnlerde arkada\u015flar\u0131m beni Kemal Tahir adl\u0131, ad\u0131n\u0131 pek de duymam\u0131\u015f oldu\u011fum bir romanc\u0131n\u0131n Suadiye’deki evine g\u00f6t\u00fcrd\u00fcler. Daha ilk bak\u0131\u015fta \u00e7arp\u0131c\u0131 ki\u015fili\u011finden ve konu\u015fma \u00fcslubundan etkilendi\u011fim Kemal Tahir, beni \u015f\u00f6yle bir s\u00fczd\u00fc. \u00c7ehresini nedense Sokrat’a benzetti\u011fim Kemal Tahir’e o an inanm\u0131\u015f, g\u00fcvenmi\u015ftim. Onu daha yak\u0131ndan tan\u0131maya, izlemeye karar vermi\u015ftim. Ortaya koydu\u011fu \u00f6l\u00e7\u00fc ile b\u00fct\u00fcn hayat\u0131m\u0131 belirleyecekti…”<\/b><\/em><\/p>\n \u0130NZ\u0130VAYA \u00c7EK\u0130LD\u0130<\/strong><\/p>\n Y\u00f6netmen, yap\u0131mc\u0131 ve senarist At\u0131f Y\u0131lmaz’a asistanl\u0131k yapan \u015easa, 1963’te senaryo yazmaya ba\u015flad\u0131.<\/p>\n Kendisini sinemaya adayan \u015easa, bunun nedenlerini de \u015fu \u015fekilde dile getirmi\u015fti:<\/p>\n “Yava\u015f yava\u015f sinema \u00fczerine e\u011filiyorum, sineman\u0131n i\u00e7ine girmek, senarist olmak gayesi \u00f6n plana \u00e7\u0131k\u0131yor. Bunun bir sebebi o y\u0131llarda hayata dair s\u00f6yleyecek bir s\u00f6z\u00fcm\u00fcn olmay\u0131\u015f\u0131n\u0131 fark etmem. \u0130lk elde bir yazar olmaktansa, bir yaz\u0131c\u0131 olmay\u0131 tercih edece\u011fim. Di\u011fer bir sebebi de T\u00fcrk sinemas\u0131n\u0131n fevkalade hor g\u00f6r\u00fclen bir \u015fey olmas\u0131, bu bendeki muhalefet duygusunu kam\u00e7\u0131l\u0131yor. Annem ressam olmam\u0131 istiyor, Cevat \u00c7apan tiyatrocu olmam\u0131 sal\u0131k veriyor. Ama ben sinema senaristli\u011fi d\u00fc\u015f\u00fcn\u00fcyorum. \u00c7\u00fcnk\u00fc sinema sanattan bile say\u0131lm\u0131yor T\u00fcrkiye’de hen\u00fcz. Halka ait, s\u0131radan bir e\u011flence t\u00fcr\u00fc oldu\u011fu i\u00e7in a\u015fa\u011f\u0131lan\u0131yor.”<\/b><\/em><\/p>\n \u015easa, 1972 y\u0131l\u0131nda yay\u0131nlanan “Utan\u00e7” filmine imza att\u0131. \u015easa, filmde \u00e7ocuklu\u011funda ya\u015fad\u0131\u011f\u0131 Yahudi-Hristiyan etkisiyle kendi i\u00e7 d\u00fcnyas\u0131nda ya\u015fanan \u00e7alkant\u0131l\u0131 durumu beyaz perdeye yans\u0131tt\u0131.<\/p>\n \u00d6ZEL HAYATI<\/strong><\/p>\n \u0130lk evlili\u011fini 18 ya\u015f\u0131ndayken Atilla Tokatl\u0131 ile yapan \u015easa, ikinci evlili\u011fini y\u00f6netmen At\u0131f Y\u0131lmaz ile ger\u00e7ekle\u015ftirdi.<\/p>\n \u0130lk evlili\u011fin ard\u0131ndan Bo\u011fazi\u00e7i \u00dcniversitesi’nde \u0130\u015fletme B\u00f6l\u00fcm\u00fcne ba\u015flayan \u015easa, e\u011fitimini yar\u0131da b\u0131rakarak sinema d\u00fcnyas\u0131na geri d\u00f6nd\u00fc.<\/p>\n Ay\u015fe \u015easa, 1980’li y\u0131llarda ge\u00e7irdi\u011fi a\u011f\u0131r rahats\u0131zl\u0131k sonras\u0131 sinema d\u00fcnyas\u0131ndan da 10 y\u0131l uzak kal\u0131rken, bu s\u00fcre\u00e7te \u00fc\u00e7\u00fcnc\u00fc e\u015fi usta senarist B\u00fclent Oran kendisine destek oldu. \u0130nziva d\u00f6neminde d\u00fc\u015f\u00fcnsel anlamda kendisini de\u011fi\u015ftiren \u015easa, daha bilimsel, sezgici bir hayat s\u00fcrmeye ba\u015flad\u0131 ve bu yeni ya\u015fam tarz\u0131, eserlerine de yans\u0131d\u0131.<\/p>\n \u0130SLAM’A Y\u00d6NEL\u0130\u015e<\/strong><\/p>\n Londra’da psikolojik tedavi g\u00f6r\u00fcrken \u015eerif Mardin’in hediye etti\u011fi bir kitap katalo\u011funda g\u00f6rd\u00fc\u011f\u00fc \u0130bn\u00fc’l Arabi’nin “Fus\u00fcsu’l-Hikem” kitab\u0131n\u0131n \u00e7evirisini 1981’de okuduktan sonra \u00e7ok etkilenen \u015easa, \u0130slam’a ve \u0130slam tasavvufuna y\u00f6nelmesinin, b\u00fct\u00fcn\u00fcyle bu kitaba ba\u011flam\u0131\u015f ve 18 y\u0131l boyunca ya\u015fad\u0131\u011f\u0131 a\u011f\u0131r sinir hastal\u0131\u011f\u0131ndan b\u00fct\u00fcn\u00fcyle kurtuldu\u011funu ifade etmi\u015fti.<\/p>\n Senaryolar\u0131, yaz\u0131lar\u0131 ve kitaplar\u0131yla, daima T\u00fcrk sinemas\u0131n\u0131n ve k\u00fclt\u00fcr hayat\u0131n\u0131n merkezinde yer alan usta senarist, 1993’te sinemayla ilgili “Ye\u015fil\u00e7am G\u00fcnl\u00fc\u011f\u00fc” adl\u0131 denemeleri okuyucuyla bulu\u015fturdu.<\/p>\n “Son Ku\u015flar”, “Ah G\u00fczel \u0130stanbul”, “Utan\u00e7” ve “Gramofon Avrat” <\/b>gibi filmlere senarist olarak imza atan \u015easa, “Bir Ruh Maceras\u0131”, “Ye\u015fil\u00e7am G\u00fcnl\u00fc\u011f\u00fc”, “Delilik \u00dclkesinden Notlar”, “\u015eebek Roman\u0131”<\/b> adl\u0131 kitaplar\u0131 kaleme ald\u0131.<\/p>\n Ay\u015fe \u015easa, 1963’te “\u00c7apk\u0131n K\u0131z”, 1965’te “Son Ku\u015flar” ve “Murat’\u0131n T\u00fcrk\u00fcs\u00fc”, 1966’da “Topra\u011f\u0131n Kan\u0131” ve “Ah G\u00fczel \u0130stanbul”, 1967’de “Harun Re\u015fid’in G\u00f6zdesi”, “Balatl\u0131 Arif” ve “Kozano\u011flu”,1968’de “\u0130lk ve Son”, “K\u00f6ro\u011flu” ve “Cemile”,1971’de “Battal Gazi Destan\u0131”, “Unutulan Kad\u0131n”, “G\u00fcll\u00fc” ve “Yedi Kocal\u0131 H\u00fcrm\u00fcz”, 1972’de “Utan\u00e7” ve “Cemo”, 1973’te “Kambur”, 1981’de “Deli Kan”, 1982’de “Hac\u0131 Arif Bey”, 1983’te “Ve Recep ve Zehra ve Ay\u015fe”, 1984’te “\u00d6lmez A\u011fac\u0131”, 1986’da “Merdo\u011flu \u00d6mer Bey”, 1987’de “Gramofon Avrat”, 1988’de “Arkada\u015f\u0131m \u015eeytan”, 1989’da “Hi\u00e7bir Gece”, 1992’de “Her Gece Bodrum”,1993’te ise “Kanayan Yara Bosna”<\/b> adl\u0131 yap\u0131mlar\u0131n senaryosuna imza att\u0131.<\/p>\n “Delilik \u00dclkesinden Notlar<\/b>” kitab\u0131 \u015eubat 2003’te piyasaya sunulan \u015easa, son olarak 2008’de “Dinle Neyden” <\/b>isimli filmle sinemaya d\u00f6n\u00fc\u015f yapt\u0131.<\/p>\n Entelekt\u00fcel bir ki\u015fili\u011fe sahip olan \u015easa, s\u00fcrekli okuyan ve kendini geli\u015ftiren bir kad\u0131n profili olarak \u0130slami toplumda da yank\u0131 uyand\u0131rd\u0131.<\/p>\n AY\u015eA \u015eA\u015eA’NIN \u00d6L\u00dcM\u00dc<\/strong><\/p>\n Evini bir okul haline d\u00f6n\u00fc\u015ft\u00fcrerek, gen\u00e7lere kap\u0131s\u0131n\u0131 a\u00e7an usta yazar, bir s\u00fcre zat\u00fcrre rahats\u0131zl\u0131\u011f\u0131 sebebiyle tedavi g\u00f6rmesinin ard\u0131ndan, 16 Haziran 2014’te hayat\u0131n\u0131 kaybetti ve Sahray\u0131cedid Mezarl\u0131\u011f\u0131’na defnedildi.<\/p>\n","protected":false},"excerpt":{"rendered":" TRT’nin dijital platformu tabii’de dizi olarak yay\u0131nlanan Ay\u015fa \u015easa’n\u0131n hayat\u0131, izleyicilerin merak konusu oldu. Peki; Ay\u015fa \u015easa kimdir? \u0130\u015fte biyografisi…<\/p>\n","protected":false},"author":1,"featured_media":12589,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[2658,2659,2060,379,2660],"class_list":["post-12588","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-genel","tag-sasa","tag-senarist","tag-sinema","tag-yas","tag-yazar"],"_links":{"self":[{"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/posts\/12588","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/comments?post=12588"}],"version-history":[{"count":1,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/posts\/12588\/revisions"}],"predecessor-version":[{"id":12596,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/posts\/12588\/revisions\/12596"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/media\/12589"}],"wp:attachment":[{"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/media?parent=12588"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/categories?post=12588"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/tags?post=12588"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![](\"https:\/\/bihavadis.com\/wp-content\/uploads\/2026\/02\/aysa-sasanin-hikayesi-ayse-sasa-kimdir-hangi-senaryolari-yazdi-1-zsuLehV4.jpg\"\/)
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