Suudi Arabistan K\u00fclt\u00fcr Bakanl\u0131\u011f\u0131 \u00f6nc\u00fcl\u00fc\u011f\u00fcnde Diriyah Bienali Vakf\u0131 taraf\u0131ndan bu y\u0131l \u00fc\u00e7\u00fcnk\u00fc kez d\u00fczenlenen “Diriyah \u00c7a\u011fda\u015f Sanat Bienali” sanatseverlerle bulu\u015ftu.<\/p>\n
\u00dclkede hayata ge\u00e7irilen ilk bienal olma \u00f6zelli\u011fi ta\u015f\u0131yan etkinlik, bu y\u0131l “s\u00fcreklilik ve de\u011fi\u015fim” temas\u0131na odaklan\u0131yor.<\/p>\n
Arap Yar\u0131madas\u0131’ndaki g\u00f6\u00e7ebe topluluklar\u0131n kurulu\u015f ve yolculuk k\u00fclt\u00fcr\u00fcnden beslenen tema, s\u00fcrekli de\u011fi\u015fimi, hareketi ve k\u00fclt\u00fcrel ak\u0131\u015f\u0131 merkeze al\u0131yor.<\/p>\n
Bienalde temayla \u015fekillenmi\u015f enstalasyonlar, ses tabanl\u0131 i\u015fler, performanslar, video \u00e7al\u0131\u015fmalar\u0131 ve mimari deneyimler \u00fczerine \u00e7e\u015fitli eserler yer al\u0131yor.<\/p>\n
Bienal, 37’den fazla \u00fclkeden 65’i a\u015fk\u0131n sanat\u00e7\u0131y\u0131 bir araya geliyor<\/p>\n
Riyad’\u0131n JAX B\u00f6lgesi’nde ger\u00e7ekle\u015ftirilen bienalin a\u00e7\u0131l\u0131\u015f resepsiyonuna kat\u0131lan Suudi Arabistan K\u00fclt\u00fcr Bakan\u0131 Yard\u0131mc\u0131s\u0131 ve Diriyah Bienal Vakf\u0131 Ba\u015fkan\u0131 Yard\u0131mc\u0131s\u0131 Rakan Altouq, bu y\u0131lki edisyonda \u00e7a\u011fda\u015f sanattaki bir\u00e7ok ak\u0131m\u0131 temsil eden, 37’den fazla \u00fclkeden 65’i a\u015fk\u0131n sanat\u00e7\u0131n\u0131n bir araya geldi\u011fini s\u00f6yledi.<\/p>\n
Altouq, Suudi Arabistan’\u0131n son y\u0131llarda \u00e7a\u011fda\u015f sanat sahnesinde niteliksel bir d\u00f6n\u00fc\u015f\u00fcme tan\u0131kl\u0131k etti\u011fini belirterek, \u015funlar\u0131 kaydetti: <\/p>\n
“\u00dclkemiz, bienaller d\u00fczenleyerek, sanat\u00e7\u0131 rezidans programlar\u0131 ba\u015flatarak, m\u00fczeleri geli\u015ftirerek, sanat\u00e7\u0131lara hibeler ve mesleki f\u0131rsatlar sunarak b\u00f6lgesel k\u00fclt\u00fcrel haritan\u0131n yeniden \u00e7izilmesine katk\u0131da bulunmu\u015ftur. Bu \u00e7abalar, krall\u0131\u011f\u0131n konumu, potansiyeli, k\u00fclt\u00fcrel ve yarat\u0131c\u0131 hareketlilik i\u00e7in lider bir merkez olma kapasitesiyle uyum i\u00e7indedir. Bu bienalin kimli\u011fini olu\u015fturmada de\u011ferli vizyonlar\u0131 ve titiz \u00e7al\u0131\u015fmalar\u0131 i\u00e7in sanat y\u00f6netmenleri Nora Razian ve Sabih Ahmed’e te\u015fekk\u00fcr ederim.”<\/p>\n
“Burada zamanlar ve mekanlar aras\u0131nda yank\u0131lanan say\u0131s\u0131z hikaye bulacaks\u0131n\u0131z”<\/p>\n
Diriyah Bienal Vakf\u0131 CEO’su Aya Al-Bakree, bu y\u0131lki temaya ili\u015fkin bilgi vererek, “Bu edisyonun \u00fcst ba\u015fl\u0131\u011f\u0131 olan ‘Fil Hal wa al-Tarhal’ (Yerle\u015fiklik ve Yolculuk Aras\u0131nda), mekan\u0131n ruhunu yans\u0131tan, Arap Yar\u0131madas\u0131’ndaki tarihimizi \u015fekillendiren ve etkisi d\u00fcnyan\u0131n yollar\u0131n\u0131 ayd\u0131nlatmaya kadar uzanan hareket, ge\u00e7i\u015f ve k\u00fclt\u00fcrel al\u0131\u015fveri\u015f haf\u0131zas\u0131n\u0131 canland\u0131ran sanatsal bir vizyonu ifade eder.” dedi.<\/p>\n
Bienalin sanat y\u00f6netmenlerinden Nora Razian da etkinlik ba\u015fl\u0131\u011f\u0131n\u0131n y\u00fczy\u0131llard\u0131r b\u00f6lgenin tarihini \u015fekillendirmede asli bir rol oynayan hareket ve duraklama, yerle\u015fme ve ayr\u0131lma d\u00f6ng\u00fclerine bir g\u00f6nderme yapt\u0131\u011f\u0131n\u0131, yine b\u00f6lgedeki ticaret, hac, g\u00f6\u00e7 ve s\u00fcrg\u00fcn ak\u0131\u015flar\u0131n\u0131n k\u00fclt\u00fcrel formlar\u0131n ta\u015f\u0131y\u0131c\u0131s\u0131 ve \u00fcreticisi, hikayelerin, \u015fark\u0131lar\u0131n, ritimlerin ve dillerin aktar\u0131c\u0131s\u0131 oldu\u011funu ifade etti.<\/p>\n
Sanat y\u00f6netmeni Sabih Ahmed ise bu y\u0131lki edisyonun, yeni s\u00f6zl\u00fckler ve imgeler arac\u0131l\u0131\u011f\u0131yla, toplumun ve k\u00fclt\u00fcr\u00fcn yeniden nas\u0131l d\u00fc\u015f\u00fcn\u00fclebilece\u011fine dair kritik sorular sormak i\u00e7in bir alan a\u00e7mas\u0131n\u0131 umduklar\u0131n\u0131 belirtti.<\/p>\n
Bienalin her katman\u0131n\u0131 emekleriyle \u015fekillendiren ola\u011fan\u00fcst\u00fc k\u00fcrat\u00f6r ekibinin g\u00f6rev yapt\u0131\u011f\u0131n\u0131 aktaran Ahmed, s\u00f6zlerini \u015f\u00f6yle s\u00fcrd\u00fcrd\u00fc: <\/p>\n
“Bu edisyonun k\u00fcrat\u00f6ryal temelini geli\u015ftirirken kendimize sordu\u011fumuz soru, bu yerin d\u00fcnyaya nas\u0131l g\u00f6r\u00fcnd\u00fc\u011f\u00fc de\u011fil, aksine d\u00fcnyan\u0131n buradan nas\u0131l g\u00f6r\u00fcnd\u00fc\u011f\u00fcyd\u00fc. D\u00fcnyan\u0131n buradan g\u00f6r\u00fcnme bi\u00e7imleri, yolculuklar\u0131, r\u00fczgarlar\u0131, ku\u015flar\u0131, modern tedarik zincirlerini, f\u0131rt\u0131nalar\u0131, salg\u0131nlar\u0131 ve vir\u00fcsleri i\u00e7eren yo\u011fun bir hatlar a\u011f\u0131d\u0131r. Bienal, haritalamak, kaz\u0131 yapmak, ar\u015fivlemek veya tan\u0131kl\u0131k etmek yerine, tarihin par\u00e7alar\u0131n\u0131n bir koreografisini sahneler. Burada zamanlar ve mekanlar aras\u0131nda yank\u0131lanan say\u0131s\u0131z hikaye bulacaks\u0131n\u0131z.”<\/p>\n
Bienal, 2 May\u0131s’a kadar ziyarete a\u00e7\u0131k olacak.<\/p>\n","protected":false},"excerpt":{"rendered":"
Diriyah Bienali, ‘s\u00fcreklilik ve de\u011fi\u015fim’ temas\u0131yla 37 \u00fclkeden 65 sanat\u00e7\u0131y\u0131 a\u011f\u0131rl\u0131yor.<\/p>\n","protected":false},"author":1,"featured_media":15064,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9,4,13],"tags":[3001,3002,3003,121,1258],"class_list":["post-15063","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-genel","category-gundem","category-son-dakika","tag-bienal","tag-bienali","tag-bu-yil","tag-kultur","tag-sanat"],"_links":{"self":[{"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/posts\/15063","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/comments?post=15063"}],"version-history":[{"count":1,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/posts\/15063\/revisions"}],"predecessor-version":[{"id":15065,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/posts\/15063\/revisions\/15065"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/media\/15064"}],"wp:attachment":[{"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/media?parent=15063"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/categories?post=15063"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/tags?post=15063"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}