\n
KANAL D’nin ilgiyle izlenen dizisi G\u00fcller ve G\u00fcnahlar, yeni b\u00f6l\u00fcm\u00fcyle izleyiciyi \u0130stanbul’un b\u00fcy\u00fcl\u00fc atmosferinde duygu y\u00fckl\u00fc bir yolculu\u011fa \u00e7\u0131kar\u0131yor. Zeynep ve Serhat’\u0131n Galata K\u00f6pr\u00fcs\u00fc’ndeki anlar\u0131, romantizmi ve nostaljiyi ayn\u0131 karede bulu\u015fturuyor.<\/p>\n
\u0130LK MAA\u015e, B\u00dcY\u00dcK S\u00d6Z<\/p>\n
Zeynep’in \u00f6\u011fretmenlikte ald\u0131\u011f\u0131 ilk maa\u015f, sadece bir d\u00f6n\u00fcm noktas\u0131 de\u011fil, ayn\u0131 zamanda ge\u00e7mi\u015fte verilen bir s\u00f6z\u00fcn de kar\u015f\u0131l\u0131\u011f\u0131 oluyor. Serhat’a verdi\u011fi ‘bal\u0131k ekmek’ s\u00f6z\u00fcn\u00fc tutan Zeynep, onu Galata K\u00f6pr\u00fcs\u00fc’ne g\u00f6t\u00fcr\u00fcyor. \u0130kili, vapur sesleri ve tarihi \u0130stanbul manzaras\u0131 e\u015fli\u011finde unutulmaz anlar ya\u015f\u0131yor.<\/p>\n
ESK\u0130 \u0130STANBUL’UN RUHUNU EKRANA TA\u015eIYOR<\/p>\n
Galata K\u00f6pr\u00fcs\u00fc, vapurlar, mart\u0131lar ve tarihi doku. B\u00f6l\u00fcm boyunca izleyiciye nostalji ya\u015fatan sahneler, dizinin romantik tonunu zirveye ta\u015f\u0131yor. Bal\u0131k ekmek molas\u0131 ise b\u00f6l\u00fcm\u00fcn en s\u0131cak ve en \u00e7ok konu\u015fulacak anlar\u0131 aras\u0131nda yer al\u0131yor.<\/p>\n
KAMERA ARKASINDA DA NE\u015eE VAR<\/p>\n
Bu \u00f6zel sahneler yaln\u0131zca ekrana de\u011fil, set arkas\u0131na da yans\u0131d\u0131. Murat Y\u0131ld\u0131r\u0131m ve Cemre Baysel’in \u00e7ekim aralar\u0131nda verdikleri samimi pozlar, e\u011flenceli halleri ve \u0130stanbul manzaras\u0131 e\u015fli\u011finde ya\u015fanan keyifli anlar, dizinin enerjisini bir kez daha g\u00f6zler \u00f6n\u00fcne serdi.<\/p>\n
NGM imzal\u0131, G\u00fcller ve G\u00fcnahlar, yeni b\u00f6l\u00fcm\u00fcyle cumartesi ak\u015fam\u0131 saat 20.00’de Kanal D’de.<\/p>\n","protected":false},"excerpt":{"rendered":"
Zeynep ve Serhat’\u0131n Galata K\u00f6pr\u00fcs\u00fc’ndeki duygu dolu sahneleri, nostaljik anlar sunuyor.<\/p>\n","protected":false},"author":1,"featured_media":21554,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-21553","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/posts\/21553","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/comments?post=21553"}],"version-history":[{"count":1,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/posts\/21553\/revisions"}],"predecessor-version":[{"id":21555,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/posts\/21553\/revisions\/21555"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/media\/21554"}],"wp:attachment":[{"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/media?parent=21553"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/categories?post=21553"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/tags?post=21553"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}