Lyudmila Razumovskaya\u2019n\u0131n sars\u0131c\u0131 eseri, bir do\u011fum g\u00fcn\u00fc kutlamas\u0131yla ba\u015flay\u0131p psikolojik bir sava\u015fa d\u00f6n\u00fc\u015fen bir geceyi mercek alt\u0131na al\u0131yor. “Sevgili Yelena Sergeyevna”, iyilik ve d\u00fcr\u00fcstl\u00fc\u011f\u00fcn, pragmatizm ve ac\u0131mas\u0131zl\u0131k kar\u015f\u0131s\u0131ndaki \u00e7aresizli\u011fini inceliyor.<\/b><\/p>\n
\u0130stanbul B\u00fcy\u00fck\u015fehir Belediyesi \u015eehir Tiyatrolar\u0131\u00a0Lyudmila Razumovskaya<\/b>\u2019n\u0131n\u00a0<\/b>yazd\u0131\u011f\u0131,\u00a0Belgi Paksoy\u2019<\/b>un \u00e7evirdi\u011fi,\u00a0Bora Se\u00e7kin<\/b>\u2019in y\u00f6netti\u011fi\u00a0“Sevgili Yelena Sergeyevna” oyununu seyirciyle bulu\u015fturuyor.<\/p>\n
“Sevgili Yelena Sergeyevna”,\u00a028 Ocak 2026 tarihinde\u00a0\u00dcsk\u00fcdar Musahipzade Celal Sahnesi\u2019nde\u00a0ilk g\u00f6sterimini yap\u0131yor.<\/p>\n
Oyun, sadece bir \u00f6\u011fretmen ve d\u00f6rt \u00f6\u011frencisi aras\u0131nda ge\u00e7en bir olay \u00f6rg\u00fcs\u00fc de\u011fil; ayn\u0131 zamanda toplumsal yozla\u015fman\u0131n klostrofobik bir odada v\u00fccut bulmu\u015f halini yans\u0131t\u0131yor. Oyun, g\u00fcncelli\u011fini asla yitirmeyen “ama\u00e7 i\u00e7in her yol mubah m\u0131d\u0131r?” sorusunu merkeze al\u0131yor.<\/p>\n
Oyunun Konusu:<\/b><\/p>\n
\u0130dealist ve ilkeli matematik \u00f6\u011fretmeni Yelena Sergeyevna m\u00fctevaz\u0131 evinde annesiyle birlikte ya\u015famaktad\u0131r. Okul d\u0131\u015f\u0131nda uzun s\u00fcredir hasta olan annesiyle de ilgilendi\u011fi rutin bir g\u00fcn\u00fcn sonunda evinin kap\u0131s\u0131 \u00e7al\u0131n\u0131r. \u00d6\u011frencileri o g\u00fcn do\u011fum g\u00fcn\u00fc olan \u00f6\u011fretmenlerini kutlamak i\u00e7in ellerinde \u00e7i\u00e7ekler ve hediyelerle kap\u0131da durmaktad\u0131r. \u0130lk bak\u0131\u015fta olduk\u00e7a s\u0131radan bir kutlama olarak ba\u015flayan gece ilerleyen saatlerde bamba\u015fka bir boyut al\u0131r. Etekteki ta\u015flar\u0131n d\u00f6k\u00fclmesi ile bu s\u00fcrpriz ziyaretin masum bir kutlamadan fazlas\u0131 oldu\u011fu ortaya \u00e7\u0131kar.<\/p>\n
Sovyetler Birli\u011finde ge\u00e7en ve Perestroyka\u2019n\u0131n ilk y\u0131llar\u0131nda kaleme al\u0131nan oyun, etik \u00e7\u00f6k\u00fc\u015f\u00fcn e\u015fi\u011findeki bir toplumu mercek alt\u0131na al\u0131yor. De\u011ferler \u00e7at\u0131\u015fmas\u0131 ve bireysel \u00e7\u0131karlar u\u011fruna neler yap\u0131labilece\u011fi ba\u015fta olmak \u00fczere bug\u00fcn hala varl\u0131\u011f\u0131n\u0131 koruyan pek \u00e7ok soruna da \u0131\u015f\u0131k tutmay\u0131 ihmal etmiyor.<\/p>\n
Oyunun y\u00f6netmeni Bora Se\u00e7kin \u201cYelena Sergeyevna\u201dy\u0131 \u015f\u00f6yle anlat\u0131yor:<\/p>\n
\u201cBir biletle; do\u011frular\u0131m\u0131zla, yanl\u0131\u015flar\u0131m\u0131zla, d\u00fc\u015f\u00fcncelerinizle, duygular\u0131m\u0131zla, davran\u0131\u015flar\u0131m\u0131zla s\u0131nanaca\u011f\u0131m\u0131z bir yolculuk “Sevgili Yelena Sergeyevna”.<\/p>\n
Neden-sonu\u00e7 \u00fczerine \u00fcst seviye bir kalem, net ve ak\u0131c\u0131 bir \u00e7eviri, zamana ve mek\u00e2na s\u0131k\u0131\u015ft\u0131r\u0131lmayan ger\u00e7ek\u00e7i bir konu..<\/p>\n
Sorular bu defa do\u011fru \u015f\u0131kk\u0131 aram\u0131yor, yanl\u0131\u015f\u0131 tespit mesele…<\/p>\n
Uyar\u0131; yanl\u0131\u015flar g\u00f6rmezden gelinirse, bireysel ve toplumsal \u00e7\u00fcr\u00fcme normalle\u015fir ve k\u00f6t\u00fcl\u00fck \u00e7o\u011fal\u0131r..<\/p>\n
Maalesef insan olarak, anlaml\u0131 do\u011frular\u0131m\u0131zda ki ger\u00e7e\u011fimizle ili\u015fkimiz \u00e7eli\u015fir ve de\u011fi\u015fir..<\/p>\n
H\u00fcmanist dokunu\u015flar\u0131 ile hislerimizde \u00f6zg\u00fcrle\u015ftirici bir etkisi olmal\u0131d\u0131r oyunlar\u0131n, anlam \u00fcst\u00fcne anlam \u00e7o\u011faltarak ko\u015fullar\u0131n yorumlanmas\u0131n\u0131 bekler seyircisinden…<\/p>\n
\u0130yiye yolculuklar ve iyi seyirler..\u201d<\/p>\n
Dramaturgisini Hande \u00d6ren\u2019in, dekor ve kost\u00fcm tasar\u0131m\u0131n\u0131 Almila Altunsoy\u2019un, \u0131\u015f\u0131k tasar\u0131m\u0131n\u0131 \u00d6zcan \u00c7elik\u2019in, efekt tasar\u0131m\u0131n\u0131 Emrah Can Yayl\u0131\u2019n\u0131n yapt\u0131\u011f\u0131, foto\u011fraflar\u0131n\u0131 Ahmet \u00c7elikba\u015f\u2019\u0131n \u00e7ekti\u011fi\u00a0oyunda\u00a0Hazal Uprak, Ay\u015fecan Tatari, Diren\u00e7 Dedeo\u011flu, Elyesa \u00c7a\u011flar Evkaya, Cihat Faruk Sevindik<\/b>\u00a0rol al\u0131yor.<\/p>\n
Oyun, 28-31 Ocak 2026 tarihleri aras\u0131nda \u00dcsk\u00fcdar Musahipzade Celal Sahnesi\u2019nde.<\/p>\n
\u0130yi seyirler\u2026<\/p>\n
\u00a0<\/p>\n
Kaynak: (BYZHA) Beyaz Haber Ajans\u0131<\/p>\n","protected":false},"excerpt":{"rendered":"
Lyudmila Razumovskaya\u2019n\u0131n sars\u0131c\u0131 eseri, bir do\u011fum g\u00fcn\u00fc kutlamas\u0131yla ba\u015flay\u0131p psikolojik bir sava\u015fa d\u00f6n\u00fc\u015fen bir geceyi mercek alt\u0131na al\u0131yor.<\/p>\n","protected":false},"author":1,"featured_media":2964,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[236],"class_list":["post-2963","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-gun"],"_links":{"self":[{"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/posts\/2963","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/comments?post=2963"}],"version-history":[{"count":1,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/posts\/2963\/revisions"}],"predecessor-version":[{"id":2965,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/posts\/2963\/revisions\/2965"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/media\/2964"}],"wp:attachment":[{"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/media?parent=2963"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/categories?post=2963"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/tags?post=2963"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}