{"id":30505,"date":"2026-02-13T01:48:04","date_gmt":"2026-02-13T01:48:04","guid":{"rendered":"https:\/\/bihavadis.com\/?p=30505"},"modified":"2026-02-13T01:48:04","modified_gmt":"2026-02-13T01:48:04","slug":"devrim-erbilin-sanat-yolculugu-beyaz-perdede-sm-sanat-katkilariyla-hayata-gecen-devrim-erbil-gokyuzu-oyle-maviydi-ki-izleyiciyle-bulusuyor","status":"publish","type":"post","link":"https:\/\/bihavadis.com\/index.php\/2026\/02\/13\/devrim-erbilin-sanat-yolculugu-beyaz-perdede-sm-sanat-katkilariyla-hayata-gecen-devrim-erbil-gokyuzu-oyle-maviydi-ki-izleyiciyle-bulusuyor\/","title":{"rendered":"Devrim Erbil&#8217;in sanat yolculu\u011fu beyaz perdede: SM Sanat katk\u0131lar\u0131yla hayata ge\u00e7en &#8220;Devrim Erbil: G\u00f6ky\u00fcz\u00fc \u00d6yle Maviydi Ki&#8221; izleyiciyle bulu\u015fuyor"},"content":{"rendered":"<p>\u00c7a\u011fda\u015f T\u00fcrk resim sanat\u0131n\u0131n \u00f6nde gelen temsilcilerinden Devrim Erbil\u2019in yarat\u0131c\u0131 d\u00fcnyas\u0131 beyaz perdeye ta\u015f\u0131n\u0131yor. SM Sanat\u2019\u0131n uygulay\u0131c\u0131 yap\u0131mc\u0131l\u0131\u011f\u0131nda hayata ge\u00e7en, yap\u0131mc\u0131l\u0131\u011f\u0131n\u0131 Picus Film\u2019in \u00fcstlendi\u011fi \u201cDevrim Erbil: G\u00f6ky\u00fcz\u00fc \u00d6yle Maviydi Ki\u201d, sanat\u00e7\u0131n\u0131n \u00e7ocukluk, gen\u00e7lik ve yeti\u015fkinlik d\u00f6nemlerinden izler ta\u015f\u0131yan yar\u0131 biyografik bir anlat\u0131yla, izleyiciyi Erbil\u2019in sanat yolculu\u011funa yak\u0131ndan bakmaya davet ediyor.<\/p>\n<p>Y\u00f6netmen ve yap\u0131mc\u0131 Durmu\u015f Akbulut\u2019un y\u00f6netti\u011fi film, yakla\u015f\u0131k 120 y\u0131ll\u0131k T\u00fcrk sinema tarihinde kurmacaya dayal\u0131 ilk uzun metrajl\u0131 ressam filmi olma \u00f6zelli\u011fini ta\u015f\u0131yor. Film, sanat\u00e7\u0131n\u0131n hayat\u0131ndan se\u00e7ilmi\u015f d\u00f6nemleri birebir biyografi anlat\u0131s\u0131yla de\u011fil; an\u0131lar, duygular ve g\u00f6rsel \u00e7a\u011fr\u0131\u015f\u0131mlar \u00fczerinden ilerleyen \u00f6zg\u00fcn bir sinema diliyle ele al\u0131yor.<\/p>\n<p><strong>Ge\u00e7mi\u015fin izinde bir i\u00e7sel yolculuk hik\u00e2yesi<\/strong><\/p>\n<p>Film, sanat\u00e7\u0131n\u0131n at\u00f6lyesine gelen gizemli bir telefonla ba\u015flayan ve \u00e7ocuklu\u011funun ge\u00e7ti\u011fi Bal\u0131kesir\u2019e uzanan i\u00e7sel bir yolculu\u011fa odaklan\u0131yor. Erbil\u2019in sanatsal bak\u0131\u015f a\u00e7\u0131s\u0131n\u0131n erken izleri, filmin anlat\u0131 omurgas\u0131n\u0131 olu\u015fturuyor. \u0130stanbul ise ku\u015fbak\u0131\u015f\u0131 manzaralar\u0131, a\u011fa\u00e7lar ve ku\u015flarla b\u00fct\u00fcnle\u015fen tarihi yar\u0131madas\u0131yla filmin g\u00f6rsel d\u00fcnyas\u0131nda \u00f6nemli bir yer tutuyor. \u00c7ekimleri Bal\u0131kesir, \u0130stanbul, Bodrum ve K\u0131y\u0131k\u00f6y\u2019de ger\u00e7ekle\u015ftirilen yap\u0131m; Erbil\u2019in resimlerindeki o me\u015fhur ku\u015fbak\u0131\u015f\u0131 perspektifi ve ritmik \u00e7izgileri sinematografik bir g\u00f6rsel \u015f\u00f6lene d\u00f6n\u00fc\u015ft\u00fcr\u00fcyor.<\/p>\n<p><strong>\u015eeng\u00fcl O\u011fuz: \u201cBu filmin, T\u00fcrk sinemas\u0131 a\u00e7\u0131s\u0131ndan \u00e7ok \u00f6zel bir yerde durdu\u011funa inan\u0131yoruz\u201d<\/strong><\/p>\n<p>SM Sanat Y\u00f6netim Kurulu Ba\u015fkan\u0131 \u015eeng\u00fcl O\u011fuz, filme dair \u015fu de\u011ferlendirmede bulundu:<\/p>\n<p><em>\u201cDevrim Erbil: G\u00f6ky\u00fcz\u00fc \u00d6yle Maviydi Ki\u2019, sadece bir biyografi \u00e7al\u0131\u015fmas\u0131 de\u011fil; T\u00fcrk sinema tarihinde bir ressam\u0131n d\u00fcnyas\u0131na kurmaca diliyle yakla\u015fan ilk uzun metrajl\u0131 yap\u0131m olmas\u0131 bak\u0131m\u0131ndan bir milat niteli\u011fi ta\u015f\u0131yor. SM Sanat olarak, T\u00fcrkiye\u2019nin k\u00fclt\u00fcrel belle\u011finde derin izler b\u0131rakan usta isimlerin miras\u0131n\u0131, \u00e7a\u011fda\u015f anlat\u0131larla yeni nesillere aktarmay\u0131 en \u00f6nemli sorumlulu\u011fumuz olarak g\u00f6r\u00fcyoruz. Bu filmle, resmin dura\u011fan esteti\u011fini sineman\u0131n dinamizmiyle harmanlayarak izleyiciye al\u0131\u015f\u0131lm\u0131\u015f\u0131n d\u0131\u015f\u0131nda, \u00e7ok katmanl\u0131 bir deneyim sunmay\u0131 hedefledik. Devrim Erbil\u2019in \u00e7izgilerindeki ritmi ve do\u011fa tutkusunu beyaz perdeye ta\u015f\u0131mak, \u00fclkemizin k\u00fclt\u00fcr-sanat ekosistemine s\u00fcrd\u00fcr\u00fclebilir bir de\u011fer katma vizyonumuzun en somut ve heyecan verici ad\u0131mlar\u0131ndan biri. \u0130nan\u0131yoruz ki bu yap\u0131m, sanat\u0131n farkl\u0131 disiplinlerinin bir araya geldi\u011finde ne kadar g\u00fc\u00e7l\u00fc bir dil olu\u015fturabilece\u011fini bir kez daha kan\u0131tlayacak.\u201d<\/em><\/p>\n<p>\u0130stanbul\u2019da yap\u0131lacak gala g\u00f6steriminin ard\u0131ndan film; sanat\u00e7\u0131n\u0131n hayat\u0131nda \u00f6nemli yer tutan Bal\u0131kesir ve Bodrum\u2019daki \u00f6zel g\u00f6sterimlerle izleyiciyle bulu\u015facak. Yap\u0131m\u0131n vizyon ve festival s\u00fcrecinin yakla\u015f\u0131k iki y\u0131ll\u0131k bir takvimde ilerlemesi, ard\u0131ndan televizyon ve dijital platform g\u00f6sterimleriyle daha geni\u015f kitlelerle bulu\u015fturulmas\u0131 hedefleniyor. Filmin uluslararas\u0131 sat\u0131\u015flar\u0131 i\u00e7in yabanc\u0131 da\u011f\u0131t\u0131m firmalar\u0131yla da temaslar s\u00fcr\u00fcyor.<\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p>Kaynak: (BYZHA) Beyaz Haber Ajans\u0131<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00c7a\u011fda\u015f T\u00fcrk resim sanat\u0131n\u0131n \u00f6nde gelen temsilcilerinden Devrim Erbil\u2019in yarat\u0131c\u0131 d\u00fcnyas\u0131 beyaz perdeye ta\u015f\u0131n\u0131yor.<\/p>\n","protected":false},"author":1,"featured_media":30506,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[4729,1258,2060,517,4728],"class_list":["post-30505","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ekonomi","tag-filmi","tag-sanat","tag-sinema","tag-turk","tag-yapim"],"_links":{"self":[{"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/posts\/30505","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/comments?post=30505"}],"version-history":[{"count":1,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/posts\/30505\/revisions"}],"predecessor-version":[{"id":30507,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/posts\/30505\/revisions\/30507"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/media\/30506"}],"wp:attachment":[{"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/media?parent=30505"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/categories?post=30505"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/tags?post=30505"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}