\n
ERZURUM Atat\u00fcrk \u00dcniversitesi Mimarl\u0131k ve Tasar\u0131m Fak\u00fcltesi \u00f6\u011frencileri, aralar\u0131nda ‘Mona Lisa’, ‘\u00c7\u0131\u011fl\u0131k’, ‘\u0130nci K\u00fcpeli K\u0131z’, ‘Son Ak\u015fam Yeme\u011fi’ ve ‘Kaplumba\u011fa Terbiyecisi’ de olan \u00fcnl\u00fc sanat eserlerinin at\u0131klardan r\u00f6lyef ve heykelini yapt\u0131. Peyzaj Mimarl\u0131\u011f\u0131 B\u00f6l\u00fcm\u00fc Ara\u015ft\u0131rma G\u00f6revlisi Dr. Ba\u015fak Aytatl\u0131, temel tasar\u0131m\u0131n sanata nas\u0131l d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fcn\u00fc \u00f6\u011fretmeyi ama\u00e7lad\u0131klar\u0131n\u0131 s\u00f6yledi. <\/p>\n
Atat\u00fcrk \u00dcniversitesi Mimarl\u0131k ve Tasar\u0131m Fak\u00fcltesi Peyzaj Mimarl\u0131\u011f\u0131 B\u00f6l\u00fcm\u00fc’nde temel tasar\u0131m ve bitkisel tasar\u0131m derslerini alan 200’e yak\u0131n \u00f6\u011frenci bir d\u00f6nem boyunca \u00fcrettikleri \u00e7al\u0131\u015fmalar\u0131 sergiledi. Serginin k\u00fcrat\u00f6rl\u00fc\u011f\u00fcn\u00fc Ferhat \u015eavluk, y\u00fcr\u00fct\u00fcc\u00fcl\u00fc\u011f\u00fcn\u00fc ise Dr. Ba\u015fak Aytatl\u0131 ve Dr. Cihad Bilge \u00fcstlendi.<\/p>\n
\u00d6\u011frenciler, Peyzaj Mimarl\u0131\u011f\u0131 Tasar\u0131m St\u00fcdyosu’nda Norve\u00e7li ressam Edvard Munch’\u00fcn ‘\u00c7\u0131\u011fl\u0131k’, Pablo Picasso’nun ‘Guernica’ ve ‘Mona Lisa’, Vincent van Gogh’un ‘Y\u0131ld\u0131zl\u0131 Gece’, Johannes Vermeer’in ‘\u0130nci K\u00fcpeli K\u0131z’, Salvador Dali’nin ‘Eriyen Saatler’, Leonardo da Vinci’nin ‘Son Ak\u015fam Yeme\u011fi’, Rene Magritte’nin ‘Adam\u0131n O\u011flu’ ve Osman Hamdi Bey’in ‘Kaplumba\u011fa Terbiyecisi’ eserlerinin at\u0131ktan r\u00f6lyef ve heykelini yapt\u0131.<\/p>\n
OKULDA SERG\u0130LED\u0130LER<\/p>\n
Bitkisel Tasar\u0131m dersi alan \u00f6\u011frencilerin, soyut tasar\u0131m konseptlerini Erzurum’un \u00f6zg\u00fcn do\u011fal dokusuyla bulu\u015fturan projelerini sergiledi. Projelerde Erzurum iklimine uyumlu a\u011fa\u00e7, \u00e7al\u0131 ve yer \u00f6rt\u00fcc\u00fc bitkiler kullan\u0131larak hem estetik hem de s\u00fcrd\u00fcr\u00fclebilir alanlar tasarland\u0131.<\/p>\n
Pablo Picasso’nun ‘Guernica’ eserini k\u00f6p\u00fck, ka\u011f\u0131t gibi at\u0131klar kullanarak yapt\u0131\u011f\u0131n\u0131 s\u00f6yleyen 1’inci s\u0131n\u0131f \u00f6\u011frencisi \u0130rem Su Kamac\u0131, “\u00c7ok say\u0131da fig\u00fcr\u00fc, k\u00f6p\u00fck ve ka\u011f\u0131t gibi geri d\u00f6n\u00fc\u015ft\u00fcr\u00fclm\u00fc\u015f malzemelerle yapt\u0131k” dedi. <\/p>\n
Arkada\u015flar\u0131yla ‘\u0130nci K\u00fcpeli K\u0131z’\u0131 at\u0131klarla yeniden tasarlad\u0131klar\u0131n\u0131 belirten Ba\u015fak Gen\u00e7, “Geri d\u00f6n\u00fc\u015f\u00fcm at\u0131klar\u0131n\u0131 kullanarak ‘\u0130nci K\u00fcpeli K\u0131z’\u0131 yapt\u0131k. Kafa b\u00f6lgesi i\u00e7in kartonlarla kal\u0131pla\u015ft\u0131r\u0131lm\u0131\u015f bir \u015fekil \u00e7\u0131kard\u0131k. Plastiklerle kabartmalar\u0131n\u0131 yapt\u0131k. At\u0131k kuma\u015flar, plastikler pamuklardan renklendirme yapt\u0131k. Ke\u00e7e kuma\u015f\u0131 kulland\u0131k” diye konu\u015ftu. <\/p>\n
\u00d6\u011frenciler, Mona Lisa gibi ikonik eserleri de ip, t\u00fcl perde, gazoz kapaklar\u0131 ve s\u00fcnger gibi geri d\u00f6n\u00fc\u015f\u00fcm malzemeleriyle tablolara d\u00f6n\u00fc\u015ft\u00fcrd\u00fcklerini aktararak, temel tasar\u0131m kavramlar\u0131n\u0131n sanata nas\u0131l yans\u0131d\u0131\u011f\u0131n\u0131 deneyimlediklerini bildirdi.<\/p>\n
200 \u00d6\u011eRENC\u0130N\u0130N ESER\u0130<\/p>\n
Mimarl\u0131k ve Tasar\u0131m Fak\u00fcltesi Dekan\u0131 Prof. Dr. Mehmet Akif Irmak, \u015funlar\u0131 s\u00f6yledi: <\/p>\n
“Peyzaj Mimarl\u0131\u011f\u0131 B\u00f6l\u00fcm\u00fc’n\u00fcn temel tasar\u0131m, konstr\u00fcksiyon ve bitkisel tasar\u0131m derslerini alan \u00f6\u011frencilerin bir d\u00f6nem boyunca \u00e7al\u0131\u015ft\u0131klar\u0131 eserleri sergiledik. Yakla\u015f\u0131k 200 \u00f6\u011frencinin \u00fcr\u00fcnlerini sergiledi. \u00d6\u011frenciler \u00fc\u00e7 farkl\u0131 konsepte \u00e7al\u0131\u015ft\u0131. Birincisi d\u00fcnyaca \u00fcnl\u00fc Picasso, Van Gogh gibi sanat\u00e7\u0131lar\u0131n yapt\u0131\u011f\u0131 resimlerin soyutlanm\u0131\u015f hallerini \u00e7al\u0131\u015ft\u0131. \u00d6\u011frencilerimiz, Konstr\u00fcksiyon ve Bitkisel Tasar\u0131m derslerinde de yapt\u0131klar\u0131 \u00e7al\u0131\u015fmalar\u0131n \u00f6rnekleri sergiledi.”<\/p>\n
Peyzaj Mimarl\u0131\u011f\u0131 Anabilim Dal\u0131 Ara\u015ft\u0131rma G\u00f6revlisi Dr. Ba\u015fak Aytatl\u0131, “Peyzaj Mimarl\u0131\u011f\u0131 B\u00f6l\u00fcm\u00fc Temel Tasar\u0131m dersi kapsam\u0131nda sanat tarihi eserlerinin 3 boyutlu r\u00f6lyef e\u015fli\u011finde tablolarla canland\u0131r\u0131lmas\u0131n\u0131 yapt\u0131k. \u00d6zellikle at\u0131k ve geri d\u00f6n\u00fc\u015f\u00fcm malzemesi kullanarak yap\u0131lan tablolarla temel tasar\u0131m\u0131n sanata nas\u0131l d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fcn\u00fc \u00f6\u011fretmeyi ama\u00e7lad\u0131k” dedi. <\/p>\n","protected":false},"excerpt":{"rendered":"
Atat\u00fcrk \u00dcniversitesi \u00f6\u011frencileri, at\u0131klarla \u00fcnl\u00fc sanat eserlerini r\u00f6lyef ve heykel olarak tasarlad\u0131.<\/p>\n","protected":false},"author":1,"featured_media":45733,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9,4,13],"tags":[2163,6095,973,1258,981],"class_list":["post-45732","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-genel","category-gundem","category-son-dakika","tag-atik","tag-cali","tag-ogrenci","tag-sanat","tag-tasarim"],"_links":{"self":[{"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/posts\/45732","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/comments?post=45732"}],"version-history":[{"count":1,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/posts\/45732\/revisions"}],"predecessor-version":[{"id":45734,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/posts\/45732\/revisions\/45734"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/media\/45733"}],"wp:attachment":[{"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/media?parent=45732"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/categories?post=45732"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/tags?post=45732"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}