Van’da 2011’de ya\u015fanan depremin ard\u0131ndan \u0130stanbul’a gelen imam Adnan Y\u0131ld\u0131r\u0131m, din g\u00f6revlisi olmas\u0131n\u0131n yan\u0131 s\u0131ra s\u00fcrd\u00fcrd\u00fc\u011f\u00fc resim \u00e7al\u0131\u015fmalar\u0131n\u0131 “Nar-\u0131 \u0130stanbul” ad\u0131yla a\u00e7t\u0131\u011f\u0131 13. ki\u015fisel sergisinde bir araya getirdi.<\/p>\n
Sanat\u0131, “hayat\u0131n k\u0131rd\u0131\u011f\u0131 insanlar\u0131 teselli eden” bir s\u0131\u011f\u0131nak olarak tan\u0131mlayan Y\u0131ld\u0131r\u0131m, eserlerinde ilahi ve d\u00fcnyevi a\u015fk\u0131 bir arada resmetmeye \u00e7al\u0131\u015f\u0131yor.<\/p>\n
\u00dcmraniye Belediyesi ev sahipli\u011finde ger\u00e7ekle\u015ftirilen sergide Y\u0131ld\u0131r\u0131m, \u0130stanbul’u eserlerinde yaln\u0131zca bir \u015fehir manzaras\u0131 olarak de\u011fil, bir “haf\u0131za mekan\u0131” olarak ele al\u0131yor.<\/p>\n
“‘Nar-\u0131 \u0130stanbul’, izleyiciyi bakmaya de\u011fil, durmaya, d\u00fc\u015f\u00fcnmeye ve hat\u0131rlamaya davet ediyor”<\/p>\n
“Ressam imam” olarak tan\u0131nan Y\u0131ld\u0131r\u0131m, sanat\u0131n iyile\u015ftirici g\u00fcc\u00fcn\u00fc ve \u00e7al\u0131\u015fmalar\u0131nda \u0130slam esteti\u011fiyle kurdu\u011fu ili\u015fkiye dair AA muhabirine a\u00e7\u0131klamalarda bulundu.<\/p>\n
Adnan Y\u0131ld\u0131r\u0131m, serginin ana temas\u0131n\u0131 olu\u015fturan \u0130stanbul’u kadim bir medeniyetin aynas\u0131 olarak g\u00f6rd\u00fc\u011f\u00fcn\u00fc belirterek, “Nar ise bu sergide hem sembol hem yap\u0131 hem de d\u00fc\u015f\u00fcnme bi\u00e7imidir. D\u0131\u015far\u0131dan bak\u0131ld\u0131\u011f\u0131nda yekpare g\u00f6r\u00fcnen ancak i\u00e7e do\u011fru a\u00e7\u0131ld\u0131k\u00e7a \u00e7o\u011falan, par\u00e7alanan ve derinle\u015fen bir formdur, t\u0131pk\u0131 \u0130stanbul gibi. ‘Nar-\u0131 \u0130stanbul’, izleyiciyi bakmaya de\u011fil, durmaya, d\u00fc\u015f\u00fcnmeye ve hat\u0131rlamaya davet ediyor.” dedi.<\/p>\n
Sergideki bir cami siluetinin yer ald\u0131\u011f\u0131 eserinde Fars\u00e7a olarak “a\u015fk” kelimesini ve keman fir\u00fcg\u00fcn\u00fc bir araya getirdi\u011fine i\u015faret eden Y\u0131ld\u0131r\u0131m, esere dair \u015funlar\u0131 anlatt\u0131: <\/p>\n
“Bu \u00e7al\u0131\u015fma, dini sembollerle d\u00fcnyevi sanat\u0131n bulu\u015fmas\u0131n\u0131 temsil ediyor. Eserin zemininde yer alan beyazl\u0131k saf bir alan\u0131, ye\u015fil ve toprak tonlar\u0131 ise ya\u015fam d\u00f6ng\u00fcs\u00fcn\u00fc hat\u0131rlat\u0131yor. K\u0131rm\u0131z\u0131n\u0131n i\u00e7inde gizlenmi\u015f cami silueti, kutsal mekan\u0131n kalpte, yani a\u015fk\u0131n merkezinde yer ald\u0131\u011f\u0131n\u0131 d\u00fc\u015f\u00fcnd\u00fcr\u00fcyor. Keman\u0131n varl\u0131\u011f\u0131 ise a\u015fk\u0131n ve maneviyat\u0131n sadece s\u00f6zc\u00fcklerle de\u011fil, titre\u015fimlerle de ifade edildi\u011fini g\u00f6steriyor. Bu tablo izleyiciye \u015fu soruyu f\u0131s\u0131ld\u0131yor: ‘A\u015fk\u0131 sadece kalpte mi, camide mi, yoksa keman\u0131n sesinde mi buluruz?'”<\/p>\n
“150 eserimin \u00e7al\u0131nmas\u0131 benim i\u00e7in b\u00fcy\u00fck y\u0131k\u0131m oldu”<\/p>\n
Adnan Y\u0131ld\u0131r\u0131m, sanat hayat\u0131ndaki en b\u00fcy\u00fck k\u0131r\u0131lma noktalar\u0131ndan birini \u0130stanbul’a ilk geldi\u011fi y\u0131llarda ya\u015fad\u0131\u011f\u0131n\u0131 s\u00f6yleyerek, uluslararas\u0131 bir sergi haz\u0131rl\u0131\u011f\u0131 s\u00fcrecindeyken 150 tablosunun \u00e7al\u0131nd\u0131\u011f\u0131n\u0131 belirtti.<\/p>\n
Bu s\u00fcrecin kendisi \u00fczerinde derin etki b\u0131rakt\u0131\u011f\u0131n\u0131 vurgulayan Y\u0131ld\u0131r\u0131m, ya\u015fad\u0131\u011f\u0131 travmay\u0131 sanatla a\u015fmaya \u00e7al\u0131\u015ft\u0131\u011f\u0131n\u0131 anlatt\u0131.<\/p>\n
Y\u0131ld\u0131r\u0131m, g\u00f6rev yapt\u0131\u011f\u0131 \u00dcmraniye \u0130mam-\u0131 \u015eafii Camisi’nde de bir\u00e7ok sorumluluk projesi hayata ge\u00e7irdiklerinden bahsederek, caminin at\u0131l alanlar\u0131n\u0131n d\u00f6n\u00fc\u015ft\u00fcr\u00fclmesiyle 2 bin 500 metrekarelik bir gen\u00e7lik ve k\u00fclt\u00fcr merkezi olu\u015fturduklar\u0131n\u0131, buran\u0131n her ya\u015ftan vatanda\u015fa a\u00e7\u0131k oldu\u011funu bildirdi.<\/p>\n
\u0130maml\u0131k mesle\u011fi ile ressaml\u0131\u011f\u0131n birbiriyle \u00e7eli\u015fti\u011fi y\u00f6n\u00fcndeki alg\u0131ya kat\u0131lmad\u0131\u011f\u0131n\u0131 dile getiren Y\u0131ld\u0131r\u0131m, “Allah g\u00fczeldir, g\u00fczel olan\u0131 sever. \u0130slam’\u0131n asla sanatla kavgas\u0131 olamaz. Ayasofya’daki hat yaz\u0131lar\u0131n\u0131 \u00e7\u0131kard\u0131\u011f\u0131n\u0131zda geriye ne kal\u0131r? Bizim gayemiz, g\u00fczeli aramak ve o g\u00fczelli\u011fi insanlara sunmakt\u0131r.” g\u00f6r\u00fc\u015flerini payla\u015ft\u0131.<\/p>\n
“Nar-\u0131 \u0130stanbul” sergisi, \u00dcmraniye Belediyesi K\u00fclt\u00fcr ve Sanat Merkezi’nde 9.00 ve 16.30 saatleri aras\u0131nda ziyaret edilebilir.<\/p>\n","protected":false},"excerpt":{"rendered":"
\u0130mam Adnan Y\u0131ld\u0131r\u0131m, \u0130stanbul’da resim sergisiyle sanat ve dinin birle\u015fimini sundu.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9,4,13],"tags":[1172,538,1258,2300,659],"class_list":["post-60527","post","type-post","status-publish","format-standard","hentry","category-genel","category-gundem","category-son-dakika","tag-cami","tag-istanbul","tag-sanat","tag-sergi","tag-yildirim"],"_links":{"self":[{"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/posts\/60527","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/comments?post=60527"}],"version-history":[{"count":1,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/posts\/60527\/revisions"}],"predecessor-version":[{"id":60528,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/posts\/60527\/revisions\/60528"}],"wp:attachment":[{"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/media?parent=60527"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/categories?post=60527"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/tags?post=60527"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}