{"id":61516,"date":"2026-03-05T13:54:06","date_gmt":"2026-03-05T13:54:06","guid":{"rendered":"https:\/\/bihavadis.com\/?p=61516"},"modified":"2026-03-05T13:54:06","modified_gmt":"2026-03-05T13:54:06","slug":"ahmet-ertugun-son-sergisi-trendyol-sanat-destegiyle-venedikte","status":"publish","type":"post","link":"https:\/\/bihavadis.com\/index.php\/2026\/03\/05\/ahmet-ertugun-son-sergisi-trendyol-sanat-destegiyle-venedikte\/","title":{"rendered":"Ahmet Ertu\u011f&#8217;un son sergisi Trendyol Sanat deste\u011fiyle Venedik&#8217;te"},"content":{"rendered":"<p>\u00dcnl\u00fc foto\u011fraf\u00e7\u0131 Ahmet Ertu\u011f\u2019un <b><em>\u201cBeyond the Vanishing Point\u201d<\/em><\/b> sergisi, Venedik\u2019te Avrupa\u2019n\u0131n en prestijli sanat merkezlerinden Le Stanze della Fotografia\u2019da kap\u0131lar\u0131n\u0131 a\u00e7t\u0131.<\/p>\n<p>Co\u011frafyalar aras\u0131 mimari bir ba\u011f kuran ve e\u015fsiz yap\u0131lardaki eri\u015fimi k\u0131s\u0131tl\u0131 alanlar\u0131 g\u00fcn y\u00fcz\u00fcne \u00e7\u0131karan Ertu\u011f\u2019un sergisi 6 Nisan\u2019a kadar ziyaret edilebilecek.<\/p>\n<p><strong>SERG\u0130 \u0130LEK KEZ B\u0130R T\u00dcRK SANAT\u00c7IYA KAPILARINI A\u00c7TI<\/strong><\/p>\n<p>\u0130lk kez bir T\u00fcrk sanat\u00e7\u0131ya kap\u0131lar\u0131n\u0131 a\u00e7an Le Stanze della Fotografia\u2019daki sergi, Ayasofya\u2019n\u0131n an\u0131tsal kubbesinden Pantheon\u2019un kusursuz geometrik dehas\u0131na kadar d\u00fcnya mimarl\u0131k miras\u0131n\u0131 temsil eden benzersiz \u015faheserlere ev sahipli\u011fi yap\u0131yor.<\/p>\n<p><strong>TRENDYOL SANAT\u2019IN DESTE\u011e\u0130YLE VENED\u0130K\u2019TE SERG\u0130<\/strong><\/p>\n<p>T\u00fcrkiye\u2019de k\u00fclt\u00fcr sanat\u0131n dijitalle\u015fmesine ve geni\u015f kitlelere ula\u015fmas\u0131na \u00f6nc\u00fcl\u00fck eden Trendyol Sanat, \u00fclkemizin sanatsal birikimini Ahmet Ertu\u011f gibi k\u00fcresel de\u011ferlerle uluslararas\u0131 arenaya ta\u015f\u0131yor. D\u00fcnya \u00e7ap\u0131nda tan\u0131nan mimar ve foto\u011fraf sanat\u00e7\u0131s\u0131 Ahmet Ertu\u011f\u2019un \u201cBeyond the Vanishing Point\u201d adl\u0131 sergisi Trendyol Sanat\u2019\u0131n deste\u011fiyle Venedik\u2019te kap\u0131lar\u0131n\u0131 sanatseverlere a\u00e7t\u0131.<\/p>\n<p>Serginin k\u00fcrat\u00f6rl\u00fc\u011f\u00fcn\u00fc Denis Curti \u00fcstleniyor.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/bihavadis.com\/wp-content\/uploads\/2026\/03\/ahmet-ertugun-son-sergisi-trendyol-sanat-destegiyle-venedikte-0-hWvYVuD8.jpg\"\/><\/p>\n<p><strong>ANITSAL \u0130\u00c7 MEK\u00c2NLAR T\u00dcM G\u00d6RKEM\u0130YLE SERG\u0130DE<\/strong><\/p>\n<p>Avrupa\u2019n\u0131n en sayg\u0131n sanat merkezlerinden Le Stanze della Fotografia\u2019daki sergi, Ayasofya\u2019dan Pantheon\u2019a 29 b\u00fcy\u00fck boyutta bas\u0131lm\u0131\u015f esere ev sahipli\u011fi yap\u0131yor. Serginin en dikkat \u00e7ekici eserlerinden biri olan Ayasofya, k\u0131rk penceresinden s\u00fcz\u00fclen \u0131\u015f\u0131k halkas\u0131 \u00fczerinde adeta as\u0131l\u0131 duran merkez kubbesi ve an\u0131tsal i\u00e7 mek\u00e2n kurgusuyla, mimari dehan\u0131n s\u0131n\u0131rlar\u0131n\u0131 zorlayan ve zamans\u0131z bir hu\u015fu uyand\u0131ran bir ba\u015fyap\u0131t olarak \u00f6ne \u00e7\u0131k\u0131yor.<\/p>\n<p>Sergide, Bat\u0131 mimarisinin zirvesi olan Roma\u2019n\u0131n kusursuz geometrisi Pantheon ve R\u00f6nesans\u2019\u0131n sarmal esteti\u011fi Villa Farnese de dikkat \u00e7eken eserler aras\u0131nda yer al\u0131yor. \u0130talya\u2019n\u0131n en \u00f6nemli opera binalar\u0131ndan tarihi La Fenice Tiyatrosu da t\u00fcm ihti\u015fam\u0131yla Ertu\u011f\u2019un kadraj\u0131ndan sanatseverlerle bulu\u015fuyor.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/bihavadis.com\/wp-content\/uploads\/2026\/03\/ahmet-ertugun-son-sergisi-trendyol-sanat-destegiyle-venedikte-1-9LeeAAV7.jpg\"\/><\/p>\n<p><strong>\u201cM\u0130MAR\u0130Y\u0130 ONU \u0130N\u015eA EDENLER\u0130N G\u00d6Z\u00dcNDEN DENEY\u0130MLET\u0130YORUM\u201d<\/strong><\/p>\n<p>Eri\u015fimi k\u0131s\u0131tl\u0131 veya gizli kalm\u0131\u015f \u015faheserleri t\u00fcm g\u00f6rkemiyle g\u00fcn y\u00fcz\u00fcne \u00e7\u0131karan Ahmet Ertu\u011f, serginin \u0130talya\u2019n\u0131n mimari miras\u0131na ve onun Akdeniz d\u00fcnyas\u0131yla kurdu\u011fu derin diyalo\u011fa odakland\u0131\u011f\u0131n\u0131 belirtiyor. 50 y\u0131l\u0131 a\u015fk\u0131n s\u00fcredir Anadolu, Avrupa, Akdeniz ve \u00f6tesine objektifini \u00e7eviren Ertu\u011f, Trendyol Sanat\u2019\u0131n deste\u011fiyle yeni sergisini geni\u015fletme ve uluslararas\u0131 bir platforma ta\u015f\u0131ma imk\u00e2n\u0131 buldu\u011funu s\u00f6yledi:<\/p>\n<p>Bu t\u00fcr i\u015f birlikleri, T\u00fcrk sanat\u00e7\u0131lar\u0131n\u0131n yurt d\u0131\u015f\u0131nda kendi k\u00fclt\u00fcrel birikimlerini ve sanatsal derinliklerini g\u00f6r\u00fcn\u00fcr k\u0131labilmeleri a\u00e7\u0131s\u0131ndan b\u00fcy\u00fck \u00f6nem ta\u015f\u0131yor. Do\u011fru destek ve s\u00fcrd\u00fcr\u00fclebilir ortakl\u0131klarla, T\u00fcrkiye\u2019nin sanat alan\u0131ndaki birikiminin uluslararas\u0131 \u00f6l\u00e7ekte daha g\u00fc\u00e7l\u00fc bi\u00e7imde temsil edilebilece\u011fine inan\u0131yorum. Beyond the Vanishing Point sergisi mimarinin hem s\u00fcreklili\u011fi hem d\u00f6n\u00fc\u015f\u00fcm\u00fc nas\u0131l b\u00fcnyesinde ta\u015f\u0131d\u0131\u011f\u0131n\u0131 g\u00f6r\u00fcn\u00fcr k\u0131l\u0131yor. K\u00fclt\u00fcrleri, \u00e7a\u011flar\u0131 ve co\u011frafyalar\u0131 birbirine ba\u011flarken, izleyiciyi \u00e7o\u011fu zaman gizli, uzak ya da eri\u015filmesi g\u00fc\u00e7 mek\u00e2nlara davet ediyor. Mimarl\u0131k ge\u00e7mi\u015fimden dolay\u0131 foto\u011fraf\u0131 yaln\u0131zca belgeleme arac\u0131 de\u011fil, bir yorumlama bi\u00e7imi olarak g\u00f6r\u00fcyorum. Mimariyi, onu yaratanlar\u0131n g\u00f6z\u00fcnden deneyimlemenin ve g\u00f6r\u00fcn\u00fcr h\u00e2le getirmenin bir yolu.<\/p>\n<p><b>\u0130LK KEZ B\u0130R T\u00dcRK SANAT\u00c7ININ SERG\u0130S\u0130 LE STANZE DELLA FOTOGRAF\u0130A\u2019DA<\/b><\/p>\n<p>T\u00fcrkiye\u2019nin k\u00fclt\u00fcrel miras\u0131n\u0131 ve mimarisini yar\u0131m as\u0131r boyunca d\u00fcnyaya tan\u0131tan Ahmet Ertu\u011f, foto\u011fraflar\u0131n\u0131 8\u00d710 in\u00e7 b\u00fcy\u00fck format bir k\u00f6r\u00fckl\u00fc kamera ve filmle \u00e7ekiyor. Do\u011fu ile Bat\u0131 aras\u0131nda y\u00fczy\u0131llar\u0131 a\u015fan mimari bir ba\u011f kuran sergi, Le Stanze della Fotografia\u2019da 6 Nisan tarihine kadar gezilebilecek.<\/p>\n<p>Le Stanze della Fotografia, foto\u011fraf\u0131n modern ve \u00e7a\u011fda\u015f sanat\u0131n en ilgi \u00e7ekici dillerinden biri olarak Venedik\u2019te kendine \u00f6zg\u00fc bir \u201ceve\u201d sahip olmas\u0131 gerekti\u011fi inanc\u0131yla 2012\u2019de a\u00e7\u0131ld\u0131. Aralar\u0131nda Sebasti\u00e3o Salgado, Elliott Erwitt, Gianni Berengo Gardin, Helmut Newton, David LaChapelle, Letizia Battaglia, Ferdinando Scianna ve Mario De Biasi gibi b\u00fcy\u00fck foto\u011fraf\u00e7\u0131lar\u0131n da yer ald\u0131\u011f\u0131 sergilerin ard\u0131ndan m\u00fcze, Ahmet Ertu\u011f\u2019un foto\u011fraf sergisiyle ilk kez bir T\u00fcrk sanat\u00e7\u0131n\u0131n eserlerine ev sahipli\u011fi yap\u0131yor.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/bihavadis.com\/wp-content\/uploads\/2026\/03\/ahmet-ertugun-son-sergisi-trendyol-sanat-destegiyle-venedikte-2-ZXBJmtSd.jpg\"\/><\/p>\n<p><b>AHMET ERTU\u011e K\u0130MD\u0130R?<\/b><\/p>\n<p>Ahmet Ertu\u011f, 1968-1974 y\u0131llar\u0131 aras\u0131nda Londra\u2019daki Architectural Association School of Architecture\u2019da mimarl\u0131k e\u011fitimi ald\u0131; \u0130ngiltere, \u0130ran ve T\u00fcrkiye\u2019de mimar olarak \u00e7al\u0131\u015ft\u0131.<\/p>\n<p>1978\u2019de Japonya Vakf\u0131 bursuyla Japonya\u2019da tap\u0131naklar ve geleneksel mimariyi foto\u011fraflad\u0131.<\/p>\n<p>\u0130stanbul\u2019un tarih\u00ee dokusuna y\u00f6nelik koruma projelerinde edindi\u011fi deneyim, Bizans, Osmanl\u0131 ve Roma mimari miras\u0131n\u0131 foto\u011fraf yoluyla belgelemeye y\u00f6nelmesinde belirleyici oldu.<\/p>\n<p>Mimari ve arkeolojik mirasa odaklanan 30\u2019dan fazla sanat kitab\u0131 yay\u0131mlayan Ertu\u011f, Avrupa genelinde k\u00fct\u00fcphaneler, tiyatrolar ve m\u00fczeleri konu alan kapsaml\u0131 \u00e7al\u0131\u015fmalar ger\u00e7ekle\u015ftirdi.<\/p>\n<p>UNESCO himayesinde sergilenen \u0130stanbul an\u0131tlar\u0131 se\u00e7kisi Paris, Madrid ve Toronto\u2019da g\u00f6sterildi. Eserleri ABD ve Avrupa\u2019daki \u00f6nemli kamusal ve \u00f6zel koleksiyonlarda yer almaktad\u0131r.<\/p>\n<p>Foto\u011fraf\u00e7\u0131l\u0131ktaki 50. y\u0131l\u0131nda New York, Paris, Londra, Viyana ve Toronto d\u00e2hil olmak \u00fczere uluslararas\u0131 \u00f6l\u00e7ekte sergiler a\u00e7may\u0131 s\u00fcrd\u00fcrmektedir.<\/p>\n<div> <span><strong>Kaynak:<\/strong> Ensonhaber Haber Merkezi<\/span> <\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u00dcnl\u00fc foto\u011fraf\u00e7\u0131 Ahmet Ertu\u011f\u2019un \u201cBeyond the Vanishing Point\u201d sergisi, Venedik\u2019te Avrupa\u2019n\u0131n en prestijli sanat merkezlerinden Le Stanze della Fotografia\u2019da kap\u0131lar\u0131n\u0131 a\u00e7t\u0131. Co\u011frafyalar aras\u0131 mimari bir ba\u011f kuran ve e\u015fsiz yap\u0131lardaki eri\u015fimi k\u0131s\u0131tl\u0131 &#8230;<\/p>\n","protected":false},"author":1,"featured_media":61517,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[3662,4739,1258,2300,517],"class_list":["post-61516","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ekonomi","tag-fotograf","tag-mimari","tag-sanat","tag-sergi","tag-turk"],"_links":{"self":[{"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/posts\/61516","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/comments?post=61516"}],"version-history":[{"count":1,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/posts\/61516\/revisions"}],"predecessor-version":[{"id":61521,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/posts\/61516\/revisions\/61521"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/media\/61517"}],"wp:attachment":[{"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/media?parent=61516"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/categories?post=61516"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/tags?post=61516"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}