{"id":65217,"date":"2026-03-08T02:51:07","date_gmt":"2026-03-08T02:51:07","guid":{"rendered":"https:\/\/bihavadis.com\/?p=65217"},"modified":"2026-03-08T02:51:07","modified_gmt":"2026-03-08T02:51:07","slug":"tophane-i-amiredeki-hane-ve-aile-temali-sergi-sanatseverlerin-buyuk-begenisini-topladi","status":"publish","type":"post","link":"https:\/\/bihavadis.com\/index.php\/2026\/03\/08\/tophane-i-amiredeki-hane-ve-aile-temali-sergi-sanatseverlerin-buyuk-begenisini-topladi\/","title":{"rendered":"Tophane-i Amire’deki ‘Hane ve Aile’ temal\u0131 sergi sanatseverlerin b\u00fcy\u00fck be\u011fenisini toplad\u0131"},"content":{"rendered":"

Albayrak Grubu taraf\u0131ndan, geleneksel \u0130slam sanatlar\u0131n\u0131 ya\u015fatmak ve gelecek nesillere aktarmak amac\u0131yla 12 y\u0131ld\u0131r kesintisiz olarak s\u00fcrd\u00fcr\u00fclen \u0130slam Sanatlar\u0131 Sergileri, bu y\u0131l \u201cH\u00e2ne\u201d temas\u0131yla haz\u0131rlanan yeni koleksiyonuyla yoluna devam ediyor. Sergi, 2025 y\u0131l\u0131n\u0131n \u201cAile Y\u0131l\u0131\u201d ilan edilmesinden ald\u0131\u011f\u0131 ilhamla; aile, yuva ve nesiller aras\u0131 ba\u011f kavramlar\u0131n\u0131 \u0130slam sanatlar\u0131n\u0131n estetik ve manevi dili \u00fczerinden yeniden d\u00fc\u015f\u00fcnmeye ve tefekk\u00fcre davet eden bir yakla\u015f\u0131mla kurguland\u0131. Bu y\u0131lki serginin a\u00e7\u0131l\u0131\u015f\u0131, Tophane-i \u00c2mire K\u00fclt\u00fcr ve Sanat Merkezi\u2019nde, Cumhurba\u015fkan\u0131 Recep Tayyip Erdo\u011fan\u2019\u0131n kat\u0131l\u0131m\u0131 ve sohbetiyle ger\u00e7ekle\u015ftirildi.<\/p>\n

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Sergi, 28 \u015eubat tarihine kadar \u0130stanbul\u2019da kat\u0131l\u0131mc\u0131lar\u0131n\u0131 a\u011f\u0131rlayacak.<\/p>\n

Sergi Hakk\u0131nda:<\/p>\n

\u201cH\u00e2ne\u201d sergisinde; 13 hat eseri, 17 adet seramik hat eseri, 12 tezhip eseri, dijital eserler, 6 tarihi hat eseri, geometrik desenlerden olu\u015fan kandiller ve 1 adet mermer i\u015fleme cel\u00ee s\u00fcl\u00fcs eser yer al\u0131yor. Klasik ve \u00e7a\u011fda\u015f eserlerin bir arada sunuldu\u011fu bu se\u00e7ki, \u0130slam sanatlar\u0131n\u0131n zamans\u0131z esteti\u011fini g\u00fcn\u00fcm\u00fczle bulu\u015fturuyor.<\/p>\n

<\/p>\n

Mek\u00e2nsal olarak her b\u00f6l\u00fcm\u00fc ayr\u0131 bir \u201ch\u00e2ne\u201d anlay\u0131\u015f\u0131yla tasarlanan sergi; anne-baba ili\u015fkilerinden e\u015f olmaya, k\u00f6klerden ku\u015faklar aras\u0131 ba\u011flara uzanan \u00e7ok katmanl\u0131 bir anlat\u0131 sunuyor. Hat, tezhip, dijital sanat ve tarihi eserlerin bir aradal\u0131\u011f\u0131, farkl\u0131 d\u00f6nemlerin ve \u00fcsluplar\u0131n ayn\u0131 \u00e7at\u0131 alt\u0131nda uyumla var olabilece\u011fini vurguluyor. Albayrak Grubu\u2019nun \u0130slam sanatlar\u0131yla kurdu\u011fu bu 12 y\u0131ll\u0131k yolculu\u011fun yeni halkas\u0131 olan \u201cH\u00e2ne\u201d, sanat arac\u0131l\u0131\u011f\u0131yla aile kavram\u0131n\u0131n manevi derinli\u011fini hat\u0131rlat\u0131yor ve ziyaret\u00e7ilere tefekk\u00fcr imk\u00e2n\u0131 sunmay\u0131 ama\u00e7l\u0131yor.<\/p>\n

<\/p>\n

Sergide yer alan hat eserleri; Seyit Ahmet Depeler, Abdurrahman Depeler, Sami Naddah, Hanife Alpayd\u0131n, Sava\u015f \u00c7evik, Hafize Namazi, Osman \u00d6z\u00e7ay, Deniz \u00d6ktem Bekta\u015f, Yusuf Maz\u0131, Muhammed Yaman, Sait Abuzero\u011flu, Taj Essir Hasan ve Saim G\u00fcnay gibi farkl\u0131 ku\u015faklardan hattatlar taraf\u0131ndan haz\u0131rland\u0131.<\/p>\n

<\/p>\n

Sanat\u00e7\u0131lar, aile, e\u015f, anne-baba ve evlat kavramlar\u0131n\u0131 merkeze alan ayet ve hadislerden ilhamla; insan\u0131n d\u00fcnyaya geli\u015finden yuva fikrinin olu\u015fumuna, nesiller aras\u0131 ba\u011flardan anne-babaya kar\u015f\u0131 sorumluluklara uzanan geni\u015f bir zaman ve anlam aral\u0131\u011f\u0131n\u0131 hat sanat\u0131 diliyle ele ald\u0131.<\/p>\n

<\/p>\n

Tezhip eserleri ise Ay\u015fe Say\u0131n, Ayten Tiryaki, Beyza Tuna, Fatma Bet\u00fcl Ta\u015fc\u0131, Firdevs Bakkal, G\u00fcls\u00fcm G\u00fcgercin, Mustafa \u00c7elebi, Nadir Tatar, Necati Sancaktutan, Nihal Tezcan S\u0131sman, Orhan Da\u011fl\u0131 ve \u015eeyma Okur\u2019un imzas\u0131n\u0131 ta\u015f\u0131yor.<\/p>\n

<\/p>\n

<\/p>\n

<\/p>\n

Klasik tezhip \u00fcslubundan \u00e7a\u011fda\u015f yorumlara uzanan bu se\u00e7ki; geometrik d\u00fczen, bitkisel motifler ve sembolik anlat\u0131mlar \u00fczerinden aile, yuva ve s\u00fcreklilik kavramlar\u0131n\u0131 g\u00f6r\u00fcn\u00fcr k\u0131l\u0131yor. Farkl\u0131 teknik ve renk anlay\u0131\u015flar\u0131yla \u00fcretilen eserler, serginin ana temas\u0131n\u0131 tamamlay\u0131c\u0131 bir estetik b\u00fct\u00fcnl\u00fck sunarak, izleyiciyi \u0130slam sanatlar\u0131n\u0131n zengin s\u00fcsleme gelene\u011fiyle bulu\u015fturuyor.<\/p>\n

Sergide yer alan 17 adet seramik hat eseri, hattat Mehmet \u00d6z\u00e7ay\u2019\u0131n klasik hat gelene\u011fini \u00e7a\u011fda\u015f bir yorumla yeniden ele ald\u0131\u011f\u0131 \u00e7al\u0131\u015fmalar\u0131ndan olu\u015fuyor. \u00d6z\u00e7ay, kalem ve m\u00fcrekkeple k\u00e2\u011f\u0131t \u00fczerinde icra edilen hat sanat\u0131n\u0131, seramik y\u00fczeyle bulu\u015fturarak yaz\u0131y\u0131 mek\u00e2n ve malzeme \u00fczerinden yeniden d\u00fc\u015f\u00fcnmeye davet ediyor. Harflerin y\u00fcksek \u0131s\u0131da pi\u015firilerek form kazand\u0131\u011f\u0131 bu eserler, hat sanat\u0131n\u0131n farkl\u0131 disiplinlerle kurdu\u011fu ili\u015fkiye dikkat \u00e7ekerken, gelene\u011fin zamanla ve teknikle d\u00f6n\u00fc\u015febilme imk\u00e2n\u0131n\u0131 da g\u00f6r\u00fcn\u00fcr k\u0131l\u0131yor.<\/p>\n

Dijital eserlerde; Mustafa G\u00fclay, Ege Engin ve Celal Can Vatanda\u015f, do\u011fa, mimari, d\u00f6n\u00fc\u015f\u00fcm, denge, i\u00e7sel yolculuk, huzur ile maddi ve manevi d\u00fcnya aras\u0131ndaki k\u00f6pr\u00fc temalar\u0131n\u0131 birbiriyle harmanl\u0131yor. Gelenekten beslenen motif ve formlar, dijital ortamda yeniden yorumlanarak d\u00f6n\u00fc\u015f\u00fcm fikrini g\u00f6r\u00fcn\u00fcr k\u0131l\u0131yor.<\/p>\n

\u201cLib\u00e2s\u201d ba\u015fl\u0131kl\u0131 mermer i\u015fleme eser, Bakara Suresi\u2019nin 187. ayetinde ge\u00e7en \u201cOnlar sizin i\u00e7in bir \u00f6rt\u00fcd\u00fcr, siz de onlar i\u00e7in bir \u00f6rt\u00fcs\u00fcn\u00fcz\u201d ifadesinden hareketle, hattat Seyit Ahmet Depeler taraf\u0131ndan cel\u00ee s\u00fcl\u00fcs istif ile tasarlanand\u0131.<\/p>\n

\u0130lker Demirden taraf\u0131ndan haz\u0131rlanan hal\u0131 \u00e7al\u0131\u015fmalar\u0131 ile Anadolu\u2019nun ortak belle\u011finde yer etmi\u015f motif dilini g\u00fcn\u00fcm\u00fcz izleyicisiyle bulu\u015fturuyor ve \u0130slam sanatlar\u0131 i\u00e7inde hal\u0131 sanat\u0131n\u0131n d\u00fc\u015f\u00fcnsel derinli\u011fini yeniden hat\u0131rlat\u0131yor. Sergiye e\u015flik eden ezgiler, Metehan Ta\u015ftemel taraf\u0131ndan H\u00fcseyni makam\u0131 temelinde, \u201ceve d\u00f6n\u00fc\u015f\u201d fikriyle haz\u0131rlanarak sergideki eserlerle b\u00fct\u00fcnle\u015fiyor ve izleyiciyi kendi i\u00e7sel yolculu\u011funa davet ediyor.<\/p>\n

Sergide tavandan as\u0131l\u0131 \u015fekilde yer alan geometrik kandil tasar\u0131mlar\u0131, Serap Ekizler S\u00f6nmez taraf\u0131ndan \u0130slam\u00ee geometrinin temel ilkelerinden hareketle tasarland\u0131. Kandillerin y\u00fczeylerinde yer alan desenler; farkl\u0131 \u00e7okgen yap\u0131lar\u0131n bir aradal\u0131\u011f\u0131 \u00fczerinden aile, birliktelik ve s\u00fcreklilik kavramlar\u0131na g\u00f6nderme yaparken, \u0131\u015f\u0131kla kurulan ili\u015fki sayesinde mek\u00e2na sembolik bir anlam kat\u0131yor. Geleneksel geometrik d\u00fczenin \u00e7a\u011fda\u015f bir yorumla ele al\u0131nd\u0131\u011f\u0131 bu \u00e7al\u0131\u015fmalar, sergide h\u00e2ne fikrinin yaln\u0131zca yaz\u0131 ve s\u00fcsleme \u00fczerinden de\u011fil, \u0131\u015f\u0131k ve mek\u00e2n arac\u0131l\u0131\u011f\u0131yla da okunabilmesine imk\u00e2n tan\u0131yor.<\/p>\n

\u0130slam Sanatlar\u0131nda 12 Y\u0131ll\u0131k Ge\u00e7mi\u015f: \u201cY\u00fczlerce farkl\u0131 eser ve milyonlarca ziyaret\u00e7i\u201d<\/p>\n

Albayrak Grubu, \u0130slam sanatlar\u0131 alan\u0131ndaki bu yolculu\u011funu bug\u00fcne kadar yurt i\u00e7inde ve yurt d\u0131\u015f\u0131nda 10\u2019larca farkl\u0131 noktaya ta\u015f\u0131d\u0131. T\u00fcrkiye\u2019de \u0130stanbul\u2019dan \u015eanl\u0131urfa\u2019ya, Konya\u2019dan Mardin\u2019e, Antalya\u2019dan Trabzon\u2019a uzanan geni\u015f bir co\u011frafyada sanatseverlerle bulu\u015fan sergiler; yurt d\u0131\u015f\u0131nda ise \u0130ngiltere, Hollanda, Macaristan, \u0130talya, Almanya, Fas, KKTC ve Katar\u2019\u0131n yan\u0131 s\u0131ra \u00d6zbekistan, Tanzanya, Azerbaycan ve daha pek \u00e7ok \u00fclkede izleyiciyle bulu\u015ftu. Y\u00fczlerce farkl\u0131 eser ve milyonlarca ziyaret\u00e7inin bir araya geldi\u011fi bu uzun soluklu s\u00fcre\u00e7, \u0130slam sanatlar\u0131n\u0131n evrensel dilini geni\u015f co\u011frafyalara ta\u015f\u0131rken, Albayrak Grubu\u2019nun k\u00fclt\u00fcrel mirasa verdi\u011fi \u00f6nemin de g\u00fc\u00e7l\u00fc bir g\u00f6stergesi oldu.<\/p>\n

Ge\u00e7ti\u011fimiz y\u0131l yine Tophane-i \u00c2mire K\u00fclt\u00fcr ve Sanat Merkezi\u2019nde a\u00e7\u0131lan \u00c2dil-i Mutlak sergisi, 100 binin \u00fczerinde ziyaret\u00e7iyi a\u011f\u0131rlayarak Albayrak Grubu\u2019nun \u0130slam sanatlar\u0131 alan\u0131ndaki birikimini somut rakamlarla ortaya koymu\u015ftu. Tophane-i \u00c2mire\u2019nin tarih\u00ee dokusu, mimarisi ve ta\u015f\u0131d\u0131\u011f\u0131 k\u00fclt\u00fcrel haf\u0131za; serginin kavramsal d\u00fcnyas\u0131yla b\u00fct\u00fcnle\u015ferek izleyicilere yaln\u0131zca bir sergi deneyimi de\u011fil, mek\u00e2nla i\u00e7 i\u00e7e ge\u00e7en bir anlat\u0131 sunuyor.<\/p>\n

Albayrak Grubu, bu g\u00fc\u00e7l\u00fc ilginin ard\u0131ndan \u015fimdi de \u201cH\u00e2ne\u201d sergisini farkl\u0131 \u015fehir ve \u00fclkelerde sanatseverlerle bulu\u015fturmaya haz\u0131rlan\u0131yor.<\/p>\n

Kaynak:<\/strong> Ensonhaber Haber Merkezi<\/span> <\/div>\n","protected":false},"excerpt":{"rendered":"

Albayrak Grubu taraf\u0131ndan, geleneksel \u0130slam sanatlar\u0131n\u0131 ya\u015fatmak ve gelecek nesillere aktarmak amac\u0131yla 12 y\u0131ld\u0131r kesintisiz olarak s\u00fcrd\u00fcr\u00fclen \u0130slam Sanatlar\u0131 Sergileri, bu y\u0131l \u201cH\u00e2ne\u201d temas\u0131yla haz\u0131rlanan yeni koleksiyonuyla yoluna devam ediyor …<\/p>\n","protected":false},"author":1,"featured_media":65218,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[1260,2563,1270,1258,2300],"class_list":["post-65217","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-egitim","tag-eser","tag-farkli","tag-hat","tag-sanat","tag-sergi"],"_links":{"self":[{"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/posts\/65217","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/comments?post=65217"}],"version-history":[{"count":1,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/posts\/65217\/revisions"}],"predecessor-version":[{"id":65227,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/posts\/65217\/revisions\/65227"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/media\/65218"}],"wp:attachment":[{"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/media?parent=65217"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/categories?post=65217"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bihavadis.com\/index.php\/wp-json\/wp\/v2\/tags?post=65217"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}